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Ich habe allerdings noch nie davon gehört, dass ein Online-Wettanbieter hier einen Fehler gemacht hat. In addition to increased resolution, wet scanning can also allow the reduction of visible grain in Black and White film.
Below shows an image from a recent hike I made outside of Darrington, WA. Three images, taken with a Nikon FM3a, 50mm f1.
One is the scan I got from the lab, one a dry scan with the Epson V, and one a wet scan using the ScanScience kit and the Epson V There is a definite reduction in visible grain in the scans from the Epson V Closer observation shows that this is not true.
If you look at the faded upper sign on the post you will see that many of the faded letters on this white sign are distinguishable in the V scans.
When comparing the dry and wet scans done on the V little difference can be seen though there may be a little more dynamic range shown on the wet scan.
Now let us look at some color images. Taken on a trip down there from Detroit before I left for the West Coast, knowing I would probably never see her again.
Both are very acceptable captures of all the detail that this old negative can capture. That said, both are good scans and if printed one could question whether the printing process, depending which is used, could capture as much of the dynamic range as the wet scanned negative.
It also should be noted that this part of the image was from the center of the negative and this old film has a lot of curl to it.
Whether the dry scan mounted in the holder would have been flat enough to produce consistant results on the edges is questionable.
I personally hate to fish, but when your Uncle asks you to do something you comply. The image here is of my Uncle fishing Sulphur Creek.
There were 30 lb King Salmon running up the creek at the time but he was fishing for trout. The salmon would have been not very good eating even if it was legal to actually take them home at the time as they are at the end of their life and half wasted away.
Goerz Rectagon Lens large format lens mounted on it. This gives an image with about a 90 degree angle of view. I wet scanned this at ppi so of course the actual.
Note the amount of detail that the wet scanning can extract from this film is so good that you can make out my Uncle fishing on the shoreline!
So obviously the Epson V can give some great results and the ScanScience wet mounting kit can enhance these results even further and ensure that the negatives remain perfectly flat in the process.
I am still working on my technique to minimize dust that has to be digitally removed later, but that will simply take practice.
Since the labs that I use charge so much for scans and these scans are worse or at best equal to what I can get from the Epson V, I think my days of having scans with my developing are over.
A note about scanning software. That supplied with the V cannot access the High Pass Optics of the scanner. That supplied with the V I purchased does but the software would not work with my latest version of Mac OS.
As a result, if you purchase either the V or V you will have to upgrade the software supplied to access these High Pass Optics. Many thanks to John for coming back to us with another fantastic article.
If you have your own experiences or tips please leave them in the comments below. Thanks JCH. Camera hunter, photographer, camera geek, Tokyoite and Englishman all rolled into one gracefully balding package.
The radar has revolutionized this and made sure that human error cannot play as big a role as the former may have made in aviation.
Aircraft radar in the modern world is a very important part of the plane, but accidents can still happen, as seen with the plane from Malaysia.
Aircraft radar can thus be said to be one of the most important parts of the traffic as we know it today, as it has so many different benefits.
Copyright ScanScience. Raw Scans, untagged with any color space can go directly to Photoshop to be tagged with a non-clipping, nondistorting color space like the relatively new Adobe Wide Gamut RGB.
With digital cameras choosing RAW should allow you to select a color space, but not always: you may find that a clipping color space like Adobe RGB or worse, sRGB were tagged to the image file, shortchanging the palette of modern printers like Canon's IPG , and , and Epson These modern printers are capable of printing the reds, greens, and blues today.
The vintage color spaces suited vintage printers, not today's modern printers and inks: After all, your printer is limited to the colors in the selected color space.
Color is a very critical issue for gallery prints and Art Photographers. The film, like the eye, sees logarithmically. When the film's sensitivity is exceeded by the light, the overload is local and does not affect the surrounding areas.
But when a digital sensor is overcome the output spills over neighboring pixels. Film-generated images have, as a result, a naturalness that is driving photographic artists back to film.
A large-format film can produce ultra-fine detail, beyond a digital camera's capacity, and almost all that the eye can see, well beyond Adobe RGB.
Know of a MP digital back for 4 x 5? That is how many pixels would be required to match the content of 4 x 5 film digitally. Color may also be another reason for usng film.
With film scans, you are free to choose the color space, which is probably the most crucial decision you will make.
Focusing Target Essential for all scanners; a must for flatbed scanners. Order yours now! This image allowed us to show the differences between fluid scanning and dry scanning.
At ScanScience, we scanned the negative on an Epson V using Silverfast 6i at ppi resolution, on a bit grayscale, using ScanScience tools and Lumina Scanning fluid.
The result was an enormous MB plus file, which enabled us to crop various sections at high resolution and magnification.
This very high-resolution scan for such a large negative was chosen as it delivered the best-looking image at high magnification.
We also tried a scan at ppi but found no improvements, only bloated files that took longer to scan, so we did not use it.
The optimum focus of V scanners is known to vary, so we first determined the optimum elevation for our unit by scanning the new ScanScience target.
It turned out to be 2. The negative was very flat, so the un-sharpness of the dry scan was due solely to the inadequacies of dry scanning, which throws away much of the quality.
Both images are raw, with no manipulations whatsoever by the scanner software or Photoshop. Image 1 , is a small section at the center, and you can see that hole in the mesh of the source image.
You would not know the image was that sharp from the dry scan. The detail in the mesh and its contrast are phenomenal in the wet scan.
Image 2 is a small crop from the left corner of the source image. The wet scanned image is still sharper than the dry, but the difference between them is not as significant because camera lenses are less sharp at the corners.
Notice also that the blacks are blacker and contrast is greater in the wet scan. You must use Silverfast or Vuescan. Image from Source 5x7 Negative.
Image 1. Dry Scan. Scancience Fluid-Scan. Image 2. Essential Knowledge. I have an Imacon scanner, and because of the Lumina scanning fluid, I am able to make wet scans with it.
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